Why “Worse is Better” .. a point many pundits miss

The old teeth gnashing about the prevalence of “good enough” technology is making the rounds again, for some reason. This is an issue that comes up from time to time in the tech world, and it’s always an interesting discussion.

It’s no secret that I’m on the side of “Worse is (often) Better”. I’ve ranted repeatedly about this both in person and in various online forums. I’ve talked about “good enough often is” so many times with colleagues and the like I’m sick of even having the argument anymore.

But the biggest reason why “good enough often is” can be summed up by the reasons why mp3s became the success they are today. To a trained ear, the format has some limitations, and even my crappy hearing can sometimes tell the difference. It certainly is inferior to the technical quality of the average CD.

However, in my world I’m never in a position to actually HEAR the difference unless I’m listening for it. Most of my music listening takes place either in transit from place to place (be it by car, bus/train, or other conveyance), or as background in my home. In either place, I’m in an “imperfect environment” anyway, so “good enough” is just that. Even if I had lossless files playing on a THX-certified player with a $300 headset, I’d still be in a noisy environment, with the 60db of traffic noise around me dulling my low-frequency hearing into oblivion.

“Good enough is” precisely because most of the time we’re not in a laboratory. Most human beings spend their days in environments (be they work or play) that are never going to be “perfect listening rooms”, so using an audio format that is lossy doesn’t matter.

You can look at every other situation were “Worse is Better” and come to the same conclusion. Large laptops (“desktop replacements”) are not as powerful and have inferior displays to desktop machines, but are more portable.  Netbooks are desirable over than large laptops to some, precisely because a large laptop is cumbersome to balance on your knee on the bus, even though netbooks are typically slower and have inferior ergonomics than larger laptops: tablets are even “better/worse”, as are smartphones. Monoaural audio devices like Bluetooth headsets often have slightly better range and are not insignificantly cheaper than their stereo counterparts, even though the monoaural Bluetooth profile offers less fidelity.

The trick is finding the tipping point where worse gets better. There’s a saying in the photography community that says “the best camera is the one you have when the shot appears,” an axiom that proves how wrong I was about smartphone cameras (synopsis of that opinion: they’re shite, always will be, and therefore worthless). Even the crappy camera on my original Palm Treo 650 (“1.2 megapixels”, but that makes it sound better than it really was) was “the one I had when the shot appears” in more than one occasion. Flipping through iPhoto I find a lot of really good pictures I’ve taken with whatever camera I happen to have in my hands.. which usually is a smartphone. Meanwhile, my $1200 digital SLR kit sits collecting dust in my closet.

Are the photos technically inferior to what I can do with the digital SLR? Most certainly. I can complain all day about the “noise” in the camera phone photos, the sloppy focus, the lack of depth of field, and even the quantization errors in the often sloppy JPEG encoding. But I have the shot, where I wouldn’t have the shot if I had to find my DSLR, take it out, warm it up, and shoot.

But the greater point? I have to “switch gears” to even notice the imperfections in the photos. After they’ve been printed on my (“good enough”) inkjet printer and housed in a small frame, I still get a lot of enjoyment out of many of the photos I’ve taken of events and loved ones with.. well, quite shitty cameras. Old 110 film was “good enough” for many in the 70’s, even though it was inferior in most ways to 126 film (and not to mention crap compared to 35mm).

I guess in this regard I should have looked to my own career path as an example, and I didn’t.  VoIP, be it Skype or whatever, is a great example of how “worse is better” has played out.  The “old telephone network” was engineered for robustness.  In our post-Bell System world, we view it as way over-engineered.  VoIP is, in many ways, way worse.  The audio quality can be inferior, it requires a reasonably well engineered network (or at minimum “over-engineered” bandwidth) (contrast that to conventional dialtone, which works at insane distances over very poor quality cable), and is very ‘portable’.  Oh, and because of a lot of competition in the sphere and the economics of the product, essentially free.

“Worse is better” only because the people who define “worst” as solely being some artificial (and often just perceived) advantage a legacy technology has.  Vinyl records are far inferior at technical sound reproduction than any digital method with a reasonable sample rate, period.  End of story.  There’s no arguing that from a purely scientific stance.  Even high bitrate lossy codecs can provide more accurate sound reproduction than vinyl, at a significantly reduced “cost” and at lower maintenance.

Vinyl may “sound better” (and I’d argue that as well), but it isn’t technically superior in any scientifically measurable way.  The irony: those who think that presence is a desirable trait in audio (mostly because they don’t have any high-frequency hearing anymore) and don’t like “brilliance” think vinyl is subjectively superior to both CDs and MP3s.  But that’s only because they’re applying the “worse is better” ideal.  Poor fidelity reproduction is better than precisely, scientifically engineered reproduction.

And that’s the point.  The point is that the word “worst” is misapplied.  It’s not really worse.  It’s just the rules of what’s required is redefined by each generation of user.  Modern music listeners are willing to sacrifice a small amount of fidelity for considerably more portability and accessibility.   Music isn’t something they listen to in their living room turned listening room.  It’s become a part of their daily life.   Many non-geeks now have digital music libraries that far exceed even what an audiophile would have had 40 years ago, in both quantity of “albums” and the genres it spans.

“Survival of the fittest” is a much better way of wording “worse is better.”  Fitness is defined by the environment: smarter but ugly can often win over dumb and beautiful.

WikiLeaks..

I have only one question for people who feel WikiLeaks is doing a disservice and is “dangerous.”

If “Democracy” is defined as a free and open society, by which every member of society has a voice, how can a “Democracy” have secrets it keeps from its citizenry? How can Truth ever be harmful to a free and open society that is “of the people, by the people, and for the people?”

The terrorists are not the ones who open our eyes to the destruction our idiotic foreign policy has wrought. The terrorists are the traitors who seek to squelch the Truth because it is incompatible with their beliefs, irreconcilable with their theories, or simply inconvenient.

“One of the amendments to the Constitution… expressly declares that ‘Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof, or abridging the freedom of speech, or of the press,’ thereby guarding in the same sentence and under the same words, the freedom of religion, of speech, and of the press; insomuch that whatever violates either throws down the sanctuary which covers the others.”

Those words were penned by one of the biggest Terrorists of them all: Thomas Jefferson.  He had the brass balls to help start a war over injustices he saw, including the suspension of the free press.

FlowchartA little bit of a side rant here on what “steampunk” means.

Before I start, let me just say that I don’t have a problem with any of what I’m about to piss on.  I love this kind of genre play, and I think that a lot of the artwork and stuff created by the many talented artists in Steampunk really kick ass.

However, I think something needs to be said about “keeping it real” in the interests of fairness.

The way I’ve always understood “Steampunk”, it’s a genre based on an alternative historical timeline that assumes we never transitioned from steam power to the internal combustion engine, for whatever reason (and the reasons are quite varied and really unimportant).  There’s usually some history rewritten as a result: Charles Babbage actually built his Difference Engine (and it is used to “power” much of society), Nikola Tesla was successful in his 1899 Colorado Springs Experiments, some (not experienced in our reality) natural disaster had far reaching consequences,  and/or the popular science-fiction of Jules Verne and H.G. Wells became true as written.

In short, there’s a fairly specific time period that “Steampunk” looks like it is trying to emulate: that of the late Victorian era.  In fact, most of the seminal works of Steampunk seem to want to wrap themselves in the Romanticism of that era, regardless of how far forward they put themselves in the timeline (see: a few Doctor Who episodes I can name: in fact, the present image of the TARDIS is, itself, very “Steampunk” in character).

Yet, at the same time, it seems that a lot of us in the Steampunk-admiring fandom forget the world that we’re actually supposed to be living in.  We forget that “Metropolis” (the 1927 Fritz Lang silent film) is probably, at best, in Steampunk’s very near future, but probably not in the present.  I see Art Deco influences up-played, Art Nouveau downplayed.  An excellent example of some of this can be seen here at BuzzFeed: some of the artwork is excellent, but is it really Steampunk?  Are silent films even technically “Steampunk”?

I’d venture to guess, if I understand the timeline correctly, that the cinema didn’t really take hold until the early 1900’s at best.. and it wasn’t until the 1910’s that it really caught on.  As I understood it, “the new movies” were largely shown in burlesque (and the later Vaudeville) houses, and rarely as stand-alone features until well into the 1910’s, if not even the early ’20s.  Okay, I’m willing to accept some “Steaming” of the tech to make it work, and the invention of the motion picture is inevitable.. but given that it requires the production of celluloid film in enough quantities to shoot miles of the stuff, it’s largely a product of the early 20th Century, and of the petroleum revolution that ends the Steam Age in our reality.

“Steampunk” is more ferrotype, less celluloid.

tintype of the author and a female friend

Tintype of feedle and Norma, SteamCon 2010

At SteamCon II this year, I observed something that kind-of made me sad as somebody who’s in this fandom for the history.  A wonderful Gentleman was doing ferrotypes, even though conditions for the same frankly sucked.  He was using period techniques, even using a period camera (although his plates were aluminum and not “japanned iron”).   He even had a wonderful cart, not unlike what you would have seen in a country fairground of the era: he completely had the “travelling photographer” thing down as you would expect to see circa 1885.  The sad part: he was not promoted at all by the convention (in fact, they seemed to kick him to the curb at the earliest opportunity when a vendor complained about the odor), and eventually was relegated to a dark corner of the hotel’s atrium out in front of his room.

Why was this guy not “front and center”?  I had two ferrotypes made, and they are something I will cherish about my SteamCon experience.  This is the sort of thing we should be embracing as “Steampunks”.  (Side note: He’s in Salem, and deserves your business: http://yaquinaphotography.com/)

Maybe my experience as a Renaissance Fair rat comes through a little strongly here.  I’ve already ranted a bit about the tendency towards poor hat etiquette.  I have a whole laundry list of complaints, quite honestly.. but this is at the center of many of them.

This is the Victorian era, people.  We don’t have to follow everything down to the letter (goddess knows the racism and sexual repression alone is something we could do without), but at least let’s try to maintain the class, lustre, and genteel-ness of the era we love.  To throw that away is to miss the greater point of the Age of Steam, and turns us all into that flowchart above.  Does it have gears?  No, guess I better add some more…

This is the last post I expected to make

This post has been written, posted, and edited on an Apple iPad.

For a lot of people I know, that isn’t very remarkable. For me, it’s a pretty giant leap. I’ve never been a huge fan of the Apple iPhone and the iPod touch. Yes, I had an iPod touch that I used on a fairly regular basis, but I missed the simplicity of the older iPod interface, and I felt that the additional features of the touch interface really didn’t add much more compared to what it took away.

Further, I’m also not a huge fan of the Apple “We Control All You Will See and Hear” attitude regarding the App Store and its bizarre policies that nobody really ever seems to totally understand completely. With more weird rules, exceptions, and policy interpretations it seems more complicated (and considerably less transparent) than the US tax code.

However, a client gave me the opportunity to get an iPad at their expense, so I figured why the hell not.

And, I now totally understand what the fuss is about.

I’ve been a big fan of tablets for quite a while. Many of you will remember the now seemingly antique “Windows for Pens” tablets I tinkered with in the past. A few of you will remember my beloved Fujitsu tablet laptop, which even after having gotten a ton of cash for it, I still miss.

But once again, Apple has demonstrated that they “get it”. The iPad is exactly what I personally have been waiting for in a tablet computer. Decent battery life, access to media on-the-go, and enough horsepower and applications to actually be useful.

It isn’t a replacement for my laptop.. Or for that matter even my netbook. It also demonstrates to me why the iPhone will probably never be my preferred handheld platform, either. There’s a lot I don’t like about it.. but the hardware is top notch, and everything is well put together on the software side as well.

And Netflix runs on it. That is quite simply made of awesome.

The Importance of Community (and Ownership)…

As a lot of you know, I spend a pretty reasonable amount of time on Second Life. As I’m fond of saying… “because I don’t have a first one.”

As of late, there’s been a bit of an Exodus from Second Life by many of the extremely creative people that made Second Life unique. This post is only marginally related to their direct complaints, so I won’t address them individually. But there is a common thrend amongst the complaints.

That common thread can be best called “ownership issues.”

Communities are funny things. People feel like they need to belong to a community, but they also feel entitled to “ownership” of that same community. Doubly so if they’ve had to invest any kind of personal effort into joining and maintaining “community resources”.

People have complained profusely about Facebook’s constant moving target called their “privacy policies”, but you really don’t see much in the way of people leaving Facebook. There might be a few cranky people who leave (and those are mostly techie types anyway), but the average member of Facebook doesn’t have that much invested into the site. It’s an interesting tradeoff: the less you have invested in a particular place, the less likely you are to leave when things start to piss you off.

A few of you have noticed over the years that I don’t tend to use a lot of the “social media” sites. I almost without exception prefer to host my own versions of the tools: I use my own URL shortener, my own picture gallery site, and even LiveJournal has largely been replaced by a WordPress installation on a webhosting service. I use Twitter and Facebook, but largely for “throwaway” things: if Twitter died tomorrow, yeah my Tweets would be gone, big deal.

People become attached to places that they’ve helped to build. Many of the wonderful areas that have disappeared have had a serious impact upon the “playability” of Second Life. Two of the areas I specifically frequented (and are now gone) were beautifully and lovingly crafted, and I got a great amount of enjoyment from these areas.

In both of these cases, the places aren’t gone. They are both trying to migrate to the Open Simulator Grid (OSGrid), a variation of Second Life that is built from the open source components of the SL codebase that one can run on independent servers. OSGrid is not for the feint of heart: even getting the code working requires fairly advanced system administration skills, and a fairly powerful and well-connected host if you’re going to run a site with any popularity. I myself have experimented with the software, and the best way to describe the difficulty for me was “interesting.”

Even with all the faults of OSGrid, the reason people left Second Life is this lack of “ownership.” In both cases, people spent hundreds of hours trying to create and develop something special, and in both cases they were screwed over by some recent Linden Labs policy change that made them feel marginalized. They felt that it was better for them to go their own way, tread into unsupported territory rather than have to deal with everything they’ve built and designed get hosed because somebody changed some middling policy without asking for input.

And who can blame them? People spend a lot in resources to try to make something cool in Second Life, only to have their work devalued because of some change in policy.

The lesson here? You can’t trust anybody, the best you can do is to be as self-reliant as possible.

Maybe we’ll see you on OpenSimGrid.

Healthcare is this bad in the US.

So, I understand that “drug stores” have a long and varied history here in the US, and that many of our major drug store chains grew out of a more “general merchandise” view of the establishment. Heck, my favorite hangout in Southern California was a drug store soda fountain, the oldest continually operating business in the area. And trust me, nothing on the menu there would ever be confused as “health food”.

All that said, as of late the big drug store chains are trying to position themselves as one-stop health care centers. Rite Aid has, for a long time, had a co-branding arrangement with GNC. Walgreens will not only give me a flu shot, but apparently other vaccines as well. In some markets (where state regulations allow) some chains are experimenting with on-site urgent care.

I could see this as a big step forward, if only for one big problem. “Drug stores” carry so many things that are unhealthy that it is really hard for me to even walk in the place and keep a straight face.

Case study: I walk up to the counter today at a Walgreens, with a filled prescription for diabetes medication, a sugar-free Red Bull, a package of sugar-free diabetic candy, a bottle of water, and some batteries. “Would you like a brownie for $1?”

Wait, what? I actually did a double-take for a minute. Here I am, a borderline morbidly obese man, with an armload of diabetic supplies, and you’re offering me a 400 calorie brownie?

It’s bad enough that they sell tobacco products right there at the counter. Add to that the checkout lane is a veritable cornucopia of unhealthy snack choices: cookies, sugared gum, chocolate bars, and Life Savers. There are a few “healthier” options: Altoids aren’t too bad, and infrequently there’s a Power Bar or something similar.

And I get to thinking. If I wanted a healthy snack here at this drug store, what are my options? And I realize that I don’t recall seeing a piece of fruit in the entire establishment. Now, it could very well be there’s a well-stocked produce department hiding somewhere behind the Pampers on aisle 3 that I missed. However, the fact that in my journey through the entire store I can’t recall ever seeing one product that I would consider ‘health food’ tells me something.

If major drug store chains really want to be “partners in my health”, they need to become that, and not be my 7-11 that sells amphetamine, sulfa drugs, and test strips. Start by dropping all the unhealthy things on your aisle: tobacco products, fortified wines (not here in OR, that would be illegal mind you, but I remember buying Thunderbird at a Rite Aid once in CA just for laughs), and junk food.

Heck, offer me a banana instead of a brownie, or a Tiger’s Milk bar instead of a cookie. It’s a start.